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Hard to argue with this, really:

If, robbed of two fond old enormities,
Our being had no onward auguries,
What then were this great love of ours to say
For launching other lives to voyage again
A little farther into time and pain,
A little faster in a futile chase
For a kingdom and a power and a Race
That would have still in sight
A manifest end of ashes and eternal night?
Is this the music of the toys we shake
So loud,—as if there might be no mistake
Somewhere in our indomitable will?
Are we no greater than the noise we make
Along one blind atomic pilgrimage
Whereon by crass chance billeted we go
Because our brains and bones and cartilage
Will have it so?
If this we say, then let us all be still
About our share in it, and live and die
More quietly thereby.

(E. A. Robinson, “The Man Against the Sky“)

…and, of course, for the title reference, take a Journey to the music video world.

I believe that Jesus Christ, whose dead body was entombed, sealed, placed under guard, and left undisturbed until the morning after the Sabbath (on the third day in which he had been dead), did not remain dead. Like those whom Christ and the prophets had called back from death throughout Biblical history, Jesus rose from the dead: the normal biological function of the body to which His mother had given birth began again, despite the fatal wounds whose marks were still plain on his body. Unlike those whom Christ and the prophets had called back from the dead, however, Christ not only came back to bodily life but has been transformed (as all Christ’s people one day will be), so that His body is now insusceptible of death from natural or violent causes, and bears without mortal flaw the image of God.